kage202202

Two Short Filmstrips

By Patrick La Roque

I read Bert’s bike post with a tinge of envy. I know it’s been gray in Belgium, with rain, and all the lovely mud and puddles that come with it.
But from where I’m standing, that just ain’t winter. If my Canadian eyes see green anywhere, the lawn chairs come out.

My bike is hanging off a hook in the basement, waiting for May, at the earliest. I could be a lot more courageous, but I’m not. It also needs a tune-up. Until then we have snow and lots of it. Until then there’s a stationary bike I can hop on, if I whip myself hard enough.

A typical week in February…

Photography on Two Wheels

BY BERT STEPHANI

When the pandemic first hit and we learned what a lockdown is, I was suddenly robbed from the ability to roam and explore. I don’t necessarily think that my “explore pictures” are my best, but it’s where I find inspiration, motivation, locations, ideas en calm. That’s why I invested in a gravel bike. It’s fast enough to bring me to new places and travel decent distances, yet slow enough to be able to look around, interact with people and let my mind drift. I’ve already made good use of the bike: I ride it to shoots that don’t require to carry a lot of gear, I did many location scouting trips and it’s been a great way to work on my project about the borders of Belgium. But I think the bike has even more potential for my work. It’s not just a mode of transport, there’s something about experiencing the world on two wheels. I find myself forgetting to take pictures often and I’ve been experimenting with many different ways to always have a camera ready while on the bike. I haven’t fully cracked the code yet, but I’m working on it. Last week, I rode quite a bit, in different circumstances with different goals. It isn’t easy to get much time on the bike in these winter months, trying to juggle family and two jobs.

Tuesday - Night Gravel Ride

I threw my bike in the back of the car before driving my girl friend to her workout. While she did her workout, I did mine. I didn’t plan of riding offroad but my curiosity took the better of me when I encountered a nice gravel track. In April I have an organised night gravel ride planned with friends, so I figured I might as well get a feel for riding in the dark through a forest.

It’s pretty crazy how perception changes in different light. With just a frontal bike light it’s a lot harder to read the trails. But on the other hand, it gives a completely different experience on familiar ground.

I usually plan a route for my rides but more and more I just get lost and see where I end up. By now, I know pretty much all the usual roads and tracks in our area but when I allow myself to get lost, I still encounter new spots.

Darkness at the end of the tunnel.

Thursday - Wet Gravel Ride

Thursdays are usually reserved for photography, but sometimes I squeeze in a longer ride too. I wanted to do a longer gravel ride but the weather really sucked. The terrain was terribly slippery, muddy and wet. But still, it was fun to be out on my own in nature.

I’m still blown away by how this bike feels at home on just about any terrain, although mud tires would have helped here.

Once I’m pedalling I find it hard to stop but I’m learning to squeeze the brakes every now and take a picture. After all, enjoying the landscape is more important than average speed.

The Vlooyberg tower made famous in Flanders by the hilarious tv show Callboys.

No need to say that my bike needed a good wash after this ride. But cleaning and maintaining my bike is like meditation to me (at least when I’m not confronted with unexpected repair issues).

Saturday - Touristic Ride

On Saturday I went for a ride with Kim, my girlfriend. She has an electric city bike which makes us stay on paved roads or nice gravel (although we had some spectacular muddy exceptions). In summer we avoid the more touristic routes but at this time of year theses routes are usually calm and we always discover some nice new places.

Not quite Dark Hedges

After all the wet, grey days it was so nice to be riding in the sun although it was still chilly.

One of those places that I didn’t know existed despite having been on the parallel big road hundreds of times.

There’s still a lot of work on Belgium’s cycling infrastructure but I like how we’ve been getting more smooth gravel roads along rivers.

Sunday - Indoor Training

To top off last week’s cycling, I did a ride on the cycling trainer on Sunday. In the future I want to ride longer and further but my shape isn’t that impressive. With a couple of longer rides planned in the spring, I’m trying to get a bit better by doing some structured training. In some way I enjoy these workouts in the garage but not nearly as much as a real ride. I don’t care for personal records but the simple truth is that the better I’m in shape, the more I enjoy the ride and the more energy I have left to photograph.

The turbo trainer has been a great help to keep cycling in the dark cold months.

A structured workout. Those red things hurt.

I don’t ride for the numbers but I find that they keep me motivated.

Time for a shower, let’s hope there’s some nice rides next week too.

Just wondering, are there any other cycling photographers in the KAGE community? Let me know in the comments.

all images shot with the X100V

Week 35 - Two Odd Shoes

BY DEREK CLARK

This week in Scotland, we had about three hours of sunshine and the rest was rain, rain and more rain. I Managed to take a short walk with my X100F, which is nice to still be using, even though I have the V.

Stepping out of the car, I remember once more that my AirPods are still missing in action somewhere in the Edinburgh area after I mislaid them while shooting a jazz concert. I have headphones in the car, but it’s around this point I start cursing Apple and its infinite wisdom in removing the 3.5mm headphone socket. There just isn’t room for it they said, yet my iPod Nano was around 8x smaller and half the thickness. Just admit that it’s all about selling AirPods multiple times to people like me that keep losing them!

Anyway…I digress.

My observation on my short walk is this.

The photographic muscle is like any other; you must exercise it or it will go flabby and fail. Most of us know this and have done for some time, but what I have come to realise is that you can’t exercise one muscle and expect all the others to tone up too. Likewise, you can’t shoot Landscape and become a great portrait photographer.

This might be obvious, but for me, being out on the street with nothing but the F felt both liberating and odd. It felt like wearing a running shoe on one foot and a hiking boot on the other. I had swapped my X-T4 for the 100F for this brief amount of time and I welcomed the change, but I was learning to walk again. To see the way I used to see. To feel the way used to feel…about photography.

ALL SHOT ON X100F - 23mmf2 (35mm FULL FRAME)

Chasing Flow

By Patrick La Roque

I’m looking at my keyboard, head down, eyes lowered, drawing a blank, mostly. But I do enjoy how its keys twack and thud when I hit them. There’s XTC on my speakers and a cup o’ Joe next to my right hand and a timer ticking down on my iPad. Seven minutes gone. Damn. When did time get so fucking unbearable? 

I’ve also never uttered the words “cup o’ Joe” before. Ever.
Ok. Ten minutes now. Seriously?


There’s nothing quite like the aftermath of a winter storm in the countryside. When the weather dabbles in magic, and the sun comes out but temperatures hold, cold enough for the snow cover to be stilled, heavy, a mimic of eternity. You forget greyness in these moments; you forget it ever existed. And light glares and shines and sparkles and all those synonyms fight each other while you let yourself fall and the ground slurps you up and the dog barks and the kids laugh. It’s all blue and white and full of fire.

I’m not as compulsive with a camera as I once was. I see our three children getting older, I know our time with them is getting shorter with each passing day, and I tend to prefer being present, fully, instead of looking in. I don’t always succeed, and it’s a shift no one has noticed, I’m sure. But I’m trying. 

The images in this post represent increasingly brief, momentary interruptions.

Mihaly Csikszentmihalyi passed away last Fall. He was a Hungarian-American psychologist who became known for recognizing and naming the concept of "flow”. Flow is what we often describe as a state of grace, when the world disappears, and our attention becomes entirely consumed by the task at hand. It is typically associated with artists and musicians, but any immersive endeavour can induce a state of flow. In fact, Csikszentmihalyi was a rock climber and painter, and his first clue into the potential universality of this idea was the recognition of a similar state of mind during both activities. 

What’s fascinating is that, according to his research, this would simply be the biological by-product of our brains being unable to process more than 60 to 100 bits of information per second. From what I understand, when we reach a flow-state our minds enter a sort of suspended existence, with all exterior input disabled. But this isn’t automatic. What Csikszentmihalyi discovered is that flow only happens if a task is 1) meaningful to us, and 2) if we are pushing against our limits, stretching our abilities. Our entire brainpower needs to be assigned to a single, all consuming undertaking.

I know perfectly well how to trigger this state. I’ve spent most of my life pursuing it, before I even knew it existed. And the camera is a conduit, and music, and painting… these paths are clear to me. But I wonder: can existence lead to flow? Could we absorb enough of any given moment and reach it, without artifice? We would remain invisible, of course. No pictures to share, no songs to sing. No mountains to check-off a map.

Just a quiet journey, among billions.
Without any traces left behind.
I wonder.

Textures of vicinity

By Jonas Rask

Today is day 7 of February 2022. It marks the first full week of our KAGE202202 theme. Contrary to almost all of my KAGE colleagues I chose not to set any limitations for my project, neither in gear nor context or content. Well, it’s not entirely accurate, since I actually stated in my “Letter of intent” that I would try and return to a time when my photography wasn’t as restrictive as I felt it had become.

Obviously this “battle-plan” has a lot to do with me not being an official ambassador for Fujifilm anymore. I’m not even sure that me leaving the program changes anything in terms of my creativity, but I will tell you this..

The past month I have felt more visually creative than I have done in last 5 years.

It’s not that I disliked being an ambassador. I loved it. I loved almost every part of it. But what people need to understand is that when you do such a thing at the level that I was suddenly doing it at, you suddenly feel limited in what you can express. Even though no one has ever told me to do things in a certain way, I couldn’t help but feel pressure coming from within myself.

The pressure to always “1-up” what I did the day before.
The pressure to always put out better writing than the post that came before what I was currently writing.
The pressure to grow and stay relevant on various social media outlets.

All while trying to juggle my full time profession and my family and friends.

How I had the surplus energy to keep at it for 7 years I will never know. But I was growing tired. And 2 years of pandemic isolation didn’t exactly help.

So I did the only sensible thing.

I stopped and took a good long hard look at the whole situation. I acted on it, and it was definitely in due time.

Let me ask you a question.

Have you ever walked outside, stopped, faced the sun, head tilted slightly backwards, closed your eyes and taken a long deep breath? Have you?

Then you know exactly how these last 6 weeks have felt in regards to my photographic identity and creativity. I won’t say that I’m free, since I was never bound by anything - But I’m starting to regain some of the pure joy that made me do this in the first place.

My pressure is off me.

So this past week I’ve been documenting my everyday doings. However small they might have been. Just like I did when I first started photography. I’ve worn a camera all day, everyday like I always do, and I’ve shot left and right. Just because it was fun and because it’s what I love to do.

I have been feeding my own instagram channel with various documentary/street styled images since that’s basically what I’ve enjoyed shooting. But tonight I noticed this tiny little plant that Christine has put on our dining room table. I was so drawn to its minuscule size and texture that I wanted to capture it.

The following 10 minutes I shot 10 shots within an immediate vicinity of 10 meters

This is my new beginning.

“Textures of Vicinity”

All images shot on Fujifilm X-Pro3 and the XF80mm f/2.8 Macro

Some of these images might be well suited for background use, so I’ve packed them all up for you to download without watermarks in full resolution. You can download the .zip file HERE

Recette

BY VINCENT BALDENSPERGER

Mes coups de coeur photographiques restent le Portrait et le Reportage-Documentaire, une approche personnelle, un lien direct entre un sujet, ma sensibilité et l’outil. Un peu comme un cuisinier, il y a le contact avec mon sujet, certaines émotions puis mes recettes en fonction des inspirations, ce que deviennent ces images en post-traitement. Quasiment aucune retouche, aucun artifice, l’essentiel doit être là et pouvoir s’exprimer simplement, sans explications ni légendes superflues. Des images à ressentir, à goûter, à vivre.

Ingrédients identiques, ces 5 portraits réalisés avant cette pandémie, re-cuisinés aujourd’hui en deux recettes. Au final c’est toujours une question de goûts…

Birds, Birthdays, Basketball and Bad Weather

BY BERT STEPHANI

I’m not necessarily proud of the images i’ve shot so far for this project, visually there’s nothing special. But I am proud of the fact that so far I’ve been able to withstand the Instagram-temptation. By that I mean the urge to create pictures that I know will get easy likes. I know plenty of techniques, locations and subjects that I could use to make work that grabs the attention. But that’s not what I want this project to be. For me it’s not about showing off, it’s about introspection. If the stars align and I’m in a great location with fantastic light and a stunning model, I’m sure going to shoot that. Those picture-friendly moments do happen after all. But life isn’t a long uninterrupted string of perfect pictures. That doesn’t mean life isn’t interesting. I’m very grateful for the sudden appearance of spooky birds, getting the family together to celebrate a birthday, watching my daughter hit a threepointer and experiencing the drama of a rainstorm.

All shot with the X-Pro3 and the 33mm F1.4, except for 2 images with the 16mm F1.4 just to switch things up a bit.

Week 28 - The Dream

BY DEREK CLARK

Last night I dreamed I was a cleaner in a massive posh house. I kept falling asleep exhausted, but each time I woke up, the house was messier and the owners were due back any minute. I would rush around picking things up but get nowhere. Kids parties would take place while I was asleep and I would wake to balloons, cake and toys everywhere. The house would also get bigger every time I attempted to clean it. Rooms would lead to other rooms, which would then lead to more rooms, causing total disorientation.

I think the dream might be something to do with being on a never-ending conveyor belt of shooting and editing, with shots often coming in faster than I can edit them.

I came across these miniature canons in a completely empty house this week.

This week I had 5 photography shoots and 9 videos shoots, which forced me to work on Sunday. I spent 11 hours on Saturday fitting a new floor in my mum's kitchen with my brother and my son. I had a total of 30 minutes to wander during daylight hours this week to take personal pictures for this project. It poured with rain. Am I making excuses for my poor performance here? Absolutely!

This (horizontal, but intact) office is all that is left of a 4x4 centre that rebuilt one of my old Land Rovers on a new chassis. Loved it!

On Thursday night, I did my first live talk to a photography club since 2019. During that (pandemic) time I did do one on Zoom, but it’s not the same as being in the room with your audience. But I won’t lie, it felt more than a little to be out in public again in a social setting.

Removing splinters (known in Scotland as skelfs) from my hands with my X-Pro2 under my chin, on a self timer.

ALL SHOT ON X-PRO2 & 18/2 (28mm full frame)

Eclectic

BY BERT STEPHANI

Sometimes, you just need to pick up the camera and start pressing the shutter button. I’m slowly starting to trust the process. It will always lead to something, even if it’s just knowing that you are on the wrong track.

6:37am - First picture of the day, just after I got up.

2:21am - actually THIS was the first picture of February ;-)

6:46am - Before the rest of the family wakes up, I really enjoy taking a bit of time for a coffee and myself.

I spent pretty much the rest of the day at my desk, like most days in the last 2 years. Nothing special, very little to photograph. I’m ok with it, not for the rest of my life, but at the moment it’s all good.

The biggest event of the day was my son’s 19th birthday. Due to restriction he didn’t really get a proper 18th birthday but we tried to make up for it this year.

I usually try to make a portrait of loved ones on their birthday. Kobe didn’t feel like posing for a portrait, but agreed to a quick silhouette shot.

The next day was another home office day but I went for a little walk around the house at night to make at least some pictures.

An apple a day …

Yesterday was a big photo/video day. I had to shoot an intro video and an interview. And then I had to edit it in time for a webinar at night. And I was also in charge of the whole technical part of a multi camera live broadcast while making promotional pictures. It’s amazing what we can do with today’s technology. I sometimes complain about wearing so many different hats at once but at the same time I find it really exciting what we can do these days. When I started in television 25 years ago, this would have required at least 10 people, 2 trucks of equipment and a crazy budget.

If you look carefully, you can see that I always have KAGE on my mind.

Where am I? Where is this project leading to? I honestly don’t have a clue yet. And at this point, that’s fine with me. I’m just happy to be shooting, being inspired by the collective and seeing great work from you on Instagram.

Chemistry

By Patrick La Roque

I took numerous drugs when I was younger. I’m not bragging. Times were different, the risks were known but more foolishly dismissed. Plus, I was in a band (s), I’d read Huxley and Baudelaire, and various books on tribal rituals typically involving vast amounts of peyote or mushrooms. Both were eventually on the menu. I naively considered myself an explorer, buying into the myth of artist as wildling, forced to the dark, and necessary, outskirts of humanity. I was a dumb kid. I was invincible. 

Most of us made it through unscathed—but most isn’t all. We saw one friend sink into addiction, step by fateful step. We heard the empty promises, and the pleas for cash, just this once, I swear, last time… until nothing was left but a shadow.

Two months ago, I started taking medication to help with long-standing sleep issues. It worked. I even wrote about this glowingly on my blog, waxing poetic about “finding myself” again. But recently, its effects changed. Something was off. So I stopped.

I’d never experienced withdrawal. Despite all the junk I’d pumped into myself for years, my body had never needed any substance to the point of becoming sick once deprived. This week, it did. The medication doesn’t cause addiction, it’s not an opioid, and you don’t find yourself craving it. But clearly, the body reacts when it no longer gets its daily dose. This happens with coffee, so I wasn’t all that surprised. But it took two days for these symptoms to subside, and for me to feel quasi-normal again. Two days of chills and weird headaches and fog and jitters and heart palpitations. Enough to cause concern and start questioning where you’re headed.

Never again.

So this was an odd week to start a new project, but I’m grateful. Because photography is, I think, a form of mind-wandering for me. It’s a physical release valve, very close to the act of daydreaming.

Here’s to small (but essential) moments of wanderlust.

P.S The grid doesn’t allow a 4:5 ratio: click on the images for their actual frame.